Thursday 9 June - 4pm BST / 3pm UTC / 11am EDT / 8am PDTĪugmented - Root Position Fretboard Matrix

Video 5: I iv ii V Continuous Movement Exercises / Position 3.

Video 4: I iv ii V Continuous Movement Exercises / Position 2.

Video 3: I iv ii V Continuous Movement Exercises / Position 1.

Video 2: What is a I vi ii V Chord Progression?.

Mixing Major & Minor - Continuous Movement System Thursday 26 May - 4pm BST / 3pm UTC / 11am EDT / 8am PDT

Video 4: Minor Triad Continuous Movement Exercises / Position 3.

Video 3: Minor Triad Continuous Movement Exercises / Position 2.

Video 2: Minor Triad Continuous Movement Exercises / Position 1.

Video 5: Minor Triad / 2nd inversion / Shape 3.

Video 4: Minor Triad / 2nd inversion / Shape 2.

Video 3: Minor Triad / 2nd inversion / Shape 1.

Video 5: Minor Triad / 1st inversion / Shape 3.

Video 4: Minor Triad / 1st inversion / Shape 2.

Video 3: Minor Triad / 1st inversion / Shape 1.

Video 5: Minor Triad / Root inversion / Shape 3.

Video 4: Minor Triad / Root inversion / Shape 2.

Video 3: Minor Triad / Root inversion / Shape 1.

Thursday 21 April - 4pm BST / 3pm UTC / 11am EDT / 8am PDTĪsk Scott your burning questions LIVE, as we recap each major section of the Fretboard Accelerator.

Video 4: Major Triad Continuous Movement Exercises / Position 3.

Video 3: Major Triad Continuous Movement Exercises / Position 2.

Video 2: Major Triad Continuous Movement Exercises / Position 1.

Video 5: Major Triad / 2nd inversion / Shape 3.

Video 4: Major Triad / 2nd inversion / Shape 2.

Video 3: Major Triad / 2nd inversion / Shape 1.

Video 5: Major Triad / 1st Inversion / Shape 3.Video 4: Major Triad / 1st Inversion / Shape 2.

Video 3: Major Triad / 1st Inversion / Shape 1.Video 5: Major Triad / Root Position / Shape 3.Video 4: Major Triad / Root Position / Shape 2.Video 3: Major Triad / Root Position / Shape 1.(Most modules have between 60 and 90 minutes of HD video) So I knew if I was going to be the first person to crack the code, I would need some help… Which is why no one ever thought to use this method to teach mastering the fretboard before. The only problem is, these master patterns are also MUCH more complex than typical patterns and shapes. Because they allow you to “see” the notes on the fretboard as a single, cohesive unit. Which is why I call these master patterns the “source code” of the bass fretboard. In fact, it’s physically impossible to play anything on the bass that does not fall into one of these four patterns. While I was looking for a way to demystify the fretboard, I remembered an age-old harmonic concept that I learned from one of my music teachers.Īnd after playing around with it for a bit, I realized this concept allows you to connect every fretboard pattern that you’ve ever learned…and you ever will learn…into just FOUR “master” patterns. Reveals The 'Source Code' Of The Bass Fretboard

Go play along cracked